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The rest is personal...

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Sumit Ghosh Sumit Ghosh is an affable character.   Although he joined the Film & TV Institute of India a year after I did, we graduated together, as he was in the editing course, which was then just two years. For a year or so, he was even my neighbor at the institute hostel.  I had requested him to support me in arranging a few screenings of ‘Haal-e-Kangaal’ in Kolkata. Referring to the dates that I had chalked out he had mailed me, ‘Oh, why did you plan during those days?’ He was worried that we could not meet, as he was to go to the North-East for a workshop. But before going he had put me on to filmmaker Pradipta Bhattacharyya. Pradipta Bhattacharyya Pradipta Bhattacharyya had made “ Bakita Byaktigato ’ (The Rest is Personal), a film in Bengali language that is not only refreshing in it’s form and content but it had also broken away from the conventions of the ‘realism’ debate that Indian cinema has gloriously clung on to, over the years, ever since Satyaj