Movie Murmur

For almost a year after I shot my Tulu film SUDDHA I did not go to Moodbidri, the place where I had shot it। My associate Surendra Kumar, who like me is also stationed in Mumbai, had been pestered by enquiries by local actors who had acted in the film. So, when I completed the film, we decided go to Moodbidri, to quench their thirst. Subhash Padiwaal, one of our actors, had agreed to arrange a screening, in his house. A two hours ride on the three o’clock express bus that left Udupi, where I had gone to attend a cousin’s marriage, took me to Moodbidri। After a quick coffee with Surendra, who had gone there a day before me, we boarded another bus। Half an hour later, at our destination, we were greeted by a smiling Subash Padiwaal, some sweet ginger juice, an incessant local journalist who was pitching in for the non existent post of a PRO of my film and last but not the least, a deafening power cut। Tuesdays was the official power cut day in the area. We were supposed to start the s

Sushma, my wife, had agreed upon this one bedroom-kitchen-hall abode that we are presently residing, mainly because our colony, Satellite Park, has a lot of open spaces – a rare commodity in a land starved city like Mumbai. Besides, it is just a stone’s throw away from the Jogeshwari Railway Station. But after having lived here for over a year, I have no option but to conclude that it takes some sort of courage to make an existence here. For example, I can say, with a certain degree of confidence, that only the strong willed and the brave hearted can manage to complete the short but adventurous journey from the Jogeshwari Railway Station to my house at Satellite Park. The ordeal starts right away when you get down from an auto at S.V. Road, near the railway crossing in Jogeshwari West. But before you can even think of getting down, you might encounter some quick-reflexed passengers trying to get into your auto to grab seats. If you are not fast enough, you might just be pushed out! Th

The other day, I showed my 105 minutes Tulu film SUDDHA to a few friends in Mumbai. Among the viewers was Srinivas Jokatte, a Mumbai based Kannada short story writer and journalist at ‘Karnataka Malla’, a Mumbai Kannada newspaper. After seeing the film one of his reaction was that it is an “Art Film” and some of the subtleties that such ‘Art Films’ would posses might not work with ordinary filmgoers. He gave examples of some ‘Art Films’ that had come from Bangalore at the height of the New Wave Movement a few decades back. ‘People did not understand what the filmmakers were trying to say’ he lamented. He added quickly, ‘There is no such communication issues with your film, but will the layman get the meaning of, for example, the general village shots that you have inserted between various sequences?’ In SUDDHA, as an editing pattern, there are some general village shots that I had inserted in between some key sequences. These are shots showing villagers going about in their daily routi