Movie Murmur

The Cheer Leaders With the Covid situation getting out of control for the Central Government - as amplified by the number of deaths on the ground, the ruling regime has been bombarded with questions regarding its negligent attitude, its failure to anticipate the situation despite having definite prior information about the second wave. As usual, the cheer leaders of the regime, like their colourful counterparts in an IPL cricket matchs, are coming up with opinioned pieces on national newspapers defending the un-defendable.  I chanced by two such pieces recently, one by lAnupan Kher and the other by S Gurumurthy. Coming from the person who forcefully exposed the Bofors scandal, the piece from Gurumurthy was a huge damp squib. It would have well be written by any of the team members of Amit Malaviya's office. Although it was not as crass as the letter written by the Health Minister Dr Harsh Vardhan to the former Prime Minister Manmohan Singh in reply to some suggestions on how to t

The reasoning behind the Honorable Judgment of the 'anticipatory bail' application of the makers of the movie 'Tandav' and the responsible head of its exhibiting platform, looks a bit strange and atypical. No doubt that there are reasonable restrictions to free expression that are guaranteed in the Constitution of our country - restrictions pertaining to matters of integrity of India, public order, friendly relationship with other countries, decency or morality, incitement to violence or issues that are mentioned in the various laws that the state has passed. The Indian Penal Code (IPC) makes it an offence to hurt sentiments of religious communities or to commit any act that is prejudicial to the 'maintenance of harmony between different religious, racial, language or regional groups or castes or communities, and which disturbs or is likely to disturb the public tranquility' and to cause 'enmities' between two communities'. The Scheduled Caste and S

A blind monkey at the center An edifice can only be as efficient as its base. There is no point admiring a fancy well made facade, if it's foundation itself is shaky. This is precisely what is felt about the movie, 'Andhadhun'. The protagonist who is a musician sets up an experiment on himself by acting blind - so that it enables him to compose his tunes well. This seems to be the starting point of the movie - an aspect that is half halfheartedly told in a voice-over right at the beginning; and then later somewhere in the middle, when the protagonist desperately explains about this dialogues in a few dialogues, as his game is exposed. Not giving enough screen time to set up the intensity of the 'why' of this experiment that needs him to go blind, is one reason why the pedestal of this movie seems unsteady. Of course, we know that he wants to create a musical piece for a competition that could let him into the greener pastures of a foreign land, but that just becom

Selfies with Siri (ಸಿರಿ ಒಟ್ಟುಗು ಸೆಲ್ಫಿಲು) A short 20 minute movie in Tulu language with English subtitles on the back story of the benevolent spirit (Bootha) of Coastal Karnataka called Siri, directed by Ramchandra PN. This movie was created during the Covid 19 lock down period; sitting at our homes self-shooting on mobiles, using existing footage and minimalist illustrations. The ballad version used in this short movie is the one documented by Late Rama Manjeshawara and Dr. Amrut Someshwar. When possible, watch this with a headphone plugged in. Cast & Crew: Illustrations: Manoj Mundayat Siri Mask: Sateesh Acharya Singer: Shailaja Shetty Background Music designer: Shrikant Prabhu Line Producer: Surendra Kumar Marnad Music editing & Remixing: Santosh Kumar Producer: Sushma PN Editing, Screenplay, Direction & Sound Design: Ramchandra PN Banner: Sonk Films Featuring: Aruna Raje, Ranjita Jhadav, Akshataraj Perla,, Sushma PN, Shailaka Shetty, Prathiba Pasricha, Batul Mukhtiar, A

Click to watch  Haal-e--Kangaal (The Bankrupts) Though I have always fathomed myself as an eager digital migrant,  like some of us from my generation I have been in the fumbling mode while grappling with possibilities that this medium holds. The medium has empowered me in the making of all sort of independent movies which otherwise I would have found it difficult to create and produce in an previous era. The one pertinent aspect of digital movie making is that it is democratic in nature - in the sense that you don't have to necessarily depend on the exhibitor - distributor lobby to raise funds to make them. Today anyone in any remote part of the country having access to affordable machines and tools can make a movie; unlike before where one had to physically shift to select film making centers like Mumbai, Chennai, Kolkata, Bangalore or Hyderabad to make movies. But it is the second aspect of the medium whose dynamics is what I have been trying to grapple wi

A still from 'Gully Boy' The last sequence of the movie 'Gully Boy' shows the rising rap singer from the slums of Mumbai, walking up on to a glittering stage, attended by various aides on his way, to face a cheering audience. The lights illuminating the upstage area (the one furthest from the audience) suddenly switches on to reveal a two dimensional cardboard cutout  of a slum set, in front of which Gully Boy is supposed to successfully rap. That is when the end credits appear and that is when it struck me that 'Gully Boy' the movie is just that - the voyeuristically captured 'harsh' and 'depressing' milieu of the Mumbai slums evident in the beginning of the movie before even the plot begins to crawl, is just a cardboard cutout stage setting meant to be where it is meant to be - in the background. What is the foreground? The movie is about an angst ridden rap singer who wants to escape up from the 'harsh' realities of a class t

A boy with his steel plate The taali and thalli bajao is an expression in animism of the Indian public that is peeing in its pants, shit scared of an alien powerful force that is hard to control. The Pradhan Choukidar / Shaman has managed to direct people into this tribal ritual primarily for these reasons, it would seem. 1. He can later ask people for example to eat baked human shit if he convinces people that they are doing so for their own good and for the country. 2. More pertinently he shifts the responsibility of solving the issue in hand to the people themselves. By a mere collective animistic ritual we have now forgotten to ask questions as to what the government has done to tackle the issue - things like how are additional beds, ventilators and other respiratory machines, health care personnel, safety equipment are being managed; how is the money being managed for the next coming weeks when there might be a deluge of sick old people wanting medical attention. T

A man peacefully sleeping in the times of COVID 19 virus. A doctor told me today that there are just about 1,50,000 testing kits in India to detect COVID 19 virus in the country. Each kit tests around 10 samples. And these kits are not made in India. For one, we had two whole months to get prepared since it the virus breached China, we just laughed at people who warned about the impending threat. In two months our preparation was only that much. Therefore we are relying on banging taalies and other theatrics. This virus is bound to spread and it spreads very rapidly than the other Corona viruses  that we have encountered in the past like SARS etc. But unlike the last time, the death rate with this virus is only about 2-3%. But since the infection rate is very high, even the three percent would weigh heavily on our (also the world) health care system. Now, over the years thanks to the neo liberal politics that we have been witnessing the world over the public health sys

Amulya's photo from her social media wall One of Amulya Leona's social media posts explains how wishing good for any other country does not mean that you wish your country bad. In that post, she had raised the 'long live' slogans for all the neighboring countries; maintaining that such slogans would not take away her duty to respect her own nation. A few days after the post, in a protest rally against CAA-NRC in Bengaluru, Amulya probably wanted to explain this aspect to her audience. In what looks like a penchant for a 'bang on' opening remark she - almost sensationally - started of her speech wishing 'Pakistan' good, saying 'Long live Pakistan'. She could have started off by wishing well to say Bhutan or for that matter to India, as she did it on her social media post. Unfortunately, she didn't. It was Asaduddin Owaisi's reaction that first did her in. He wanted Amulya to stop her speech then and there for raising that slogan

  Gandhi arrested under Sedition Laws Section 124 (a) of the Indian Penal Code deals with Sedition. It states - Whoever, by words, either spoken or written, or by signs, or by visible representation, or otherwise, brings or attempts to bring into hatred or contempt, or excites or attempts to excite disaffection towards,   the Government established by law in   India, shall be punished with   imprisonment for life, to which fine may be added, or with imprisonment which may extend to three years, to which fine may be added, or with fine. This section gives three explanations. Explanation 1.—The expression “disaffection” includes disloyalty and all feelings of enmity. Explanation 2.—Comments expressing disapprobation of the measures of the Government with a view to obtain their alteration by lawful means, without exciting or attempting to excite hatred, contempt or disaffection, do not constitute an offence under this section. Explanation 3.—Comments expressing disappr