Movie Murmur

Please watch this five minute short film that I had made in 2003, the first short film that I had shot on Digital Video on my then brand new Sony PD 150. I promise you some fun. Heart Troubles of Ramchand Yavatmal Tiruchinapalli Azamghar

 The Children of Kannur In the month of July, 2011, Deepak Paramanand and a few of his friends ran a summer camp for a few under privileged kids in the village of Kannur, in Bijapur, North Karnataka, India. They conduct these courses every year, where teachers volunteer to teach the next year portion for the kids. The children are also engaged in a few cultural activities. In 2011, they showed 'Putaani Party'. The children who acted in the film were called for the screening. After a healthy discussion with these children, the next day the children of Kannur marched through the lanes of their village making a case against alcoholism. They petitioned the Gram Panchayat (Village Governing Body) asking them to stop units in their village that sell illegal liquor. The insistent children brought the government officials and the police to the scene. The children were aided by self help and some women's groups. The Panchayat then decided to ca...

Promo of Rice and Rasam ( ಅನ್ನ ಸಾರು ) Synopsis: ‘Rice and Rasam’ captures the daily struggles, routines, joys, conflicts, and the nomadic lives of an ensemble of professional artists of two units of a touring theater company as they struggle to remain relevant and survive amidst dwindling audiences; and in the face of rapidly changing economic, cultural and political contexts. Producer: Rajiv Mehrotra, PSBT Director: Ramchandra PN Duration of the film: 52 mins Also watch the  excerpt of Rice and Rasam (ಅನ್ನ ಸಾರು) At Kannada Blog -  Yenaark If you are looking to arrange a screening for your club / college / house / office please click HERE                                                       ...

(Downloadable; can be used anywhere) BV Karanth - Baba - A documentary film on the renowned theater personality Shri BV Karanth. Based on his autobiography 'Illiralaare, Allige Hogallaare' (I can't stay here, but I won't also go there...); complied by the Kannada writer Vaidehi . Produced by Films Division Duration: 93 Mins Camera: Sameer Mahajan Sound: Santosh Kumar Additional Camera: Pandurange Gowda Executive Producer, Editor & Director: Ramchadnra PN Stills from the film Working stills during the shooting of the film.  If you are looking to arrange a screening for your club / college / house / office please click HERE

'Miyar House' is scheduled to be screend at the Tata Theater in Mumbai at 2.30 PM on the 6th of February as a part of the Mumbai International Documentary Film Festival (MIFF). Schedule at MIFF If you are looking to arrange a screening for your club / college / house / office please click HERE

In The People’s Republic of China, thanks to its one-child policy , I believe there is a generation of people who have grown up without having an aunt or an uncle. At some point in life, as it grows up, the single child would be having no relatives at all; except its spouse and its own single child, if any! It is frightening to be alone.

www.Tripbase.com My blog 'Movie Murmur' has been awarded 'The Tripbase 2011 Blog Award '. in the Mumbai category along with a few other Mumbai based blogs.

A still from 'Miyar House' 'Miyar House' is a 76 mins documentary film that took ten years in the making - blame it on fear, confusion and lethargy! But finally when it is ready now, despite any any institutional funding, I am pleased with the results. I thank Ajay Raina, Sameer Mahajan and Santosh Kumar for helping me realise this film. If you are looking to arrange a screening for your club / college / house / office please click HERE Other links Watch the trailer IMDB Wekipedia Facebook Sonk Films

A friend of mine sent me a sms the other day, to ask if we could meet at four in the afternoon at Infinity. Around two, I boarded an auto to Adarsh Nagar. Normally, if I asked eight autos, the ninth one would give me a boarding pass. But this auto driver was special, he was just the second! As we passed the flyover that is being constructed on the S.V. Road that would head right on top of the Western railway tracks and go into Jogeshwari East, I found myself saying, ‘If this is completed, any and every auto from east would come to West and visa verse’. The auto driver saw the half constructed flyover, but choose to keep mum. Maybe he was not interested. ‘Do you know how long will it take for the flyover to get completed?’ I persisted. ‘Don’t know sir… But there is a lot of money in this flyover business’ he replied. ‘Ah… so he does talk...’ I thought. And then the words began to flow, ‘Sir, they keep constructing these flyovers where ever they get space. And when they don’t get the spa...

Manohar Patel is an agriculturalist and a self styled wild life documentary film maker. He is outspoken and direct in his communication. Srikant Kelahatti is soft spoken, persuasive, methodical and a practicing charted accountant. Both are environmental activists, both love theater and are avid film buffs. They run an institution called 'Maithreya Institute for Environmental Studies.' Conservation of grassland ecology around the Tiptur region in Central Karnataka, illegal quarrying that have all but destroyed the nearby villages and the dumping of third rate environmentally harmful industrial technology by the west are some of the day to day issues that they deal with. Thus, both face physical threats from the anti environment lobby that they have pitched themselves against. In the evenings when they get bored with their day to day existence they call up each other and identify a nearby village – making sure from the electricity board that there is no scheduled power cut in...

The vehicle that Madan had arranged turned at the Corporation circle at Bangalore. I was woken up from my thoughts by Sampath, ‘Where Sir in Corporation?’ I looked around – the Corporation area that I had known no longer existed. I could not figure out where Badami House was located. Twenty six years back I had gone there to attend a film appreciation course. After circling for around ten minutes Sampath finally located Badami House. I ran upstairs, was greeted by an eager official who asked his peon to add a chair in his boss’s office. Another official ensured that the chair actually went inside. It was only then that I was escorted inside, where around fifteen men had already gathered and I was terribly late. The top official from the information department was presiding over an informal gathering of National Film Awardees from the state. There were two lot of them – This year awardees; it included me and the last year awardees; they had forgotten to honor them. I was made to s...

I own some old dusty diaries – around ten of them, each representing a particular year. They normally contain some hurriedly written phone numbers and host of ‘things to do’ lists - lists that I religiously write each day I wake up, but most times forget to refer to. I must have opened just one of the diaries once in the past two years; and I must confess that I don’t feel like throwing them away. We all love junk, don’t we? Friend Pankaj Advani loved it so much that he shot the climax of one of his films in a junk yard. And I loved the character who sat on a heap of junk with a stengun in hand – it seemed that he loved his junk. Lilly, a distant relative from Baroda firmly believes that if we don’t use a thing for two years, then it should be disposed off. My second cousin Subbu from Bangalore drastically reduces this time to three months. Wish we had the skill and training to recognize junk as and when it occurs. Most times, we take most of our junk to our graves. Recent...

I am not sure why have I preserved this for twenty two years. I am not sure why have I uploaded this on my blog, now. I am also not sure how long I am going to preserve this.

Certificate of Participation - Course Director Satish Bahadur I first came in contact with Prof. Satish Bahadur way back in 1983 during a film appreciation course that Magsaysay award winner K.V. Subanna had arranged with the collaboration from The Film & TV Institute of India and The National Film Archives of India in Heggodu, a small village near Sagar, Central Karnataka. With his analysis of films he had then opened up a whole new world for me and I am sure for a lot of others who had attended the various film appreciation courses that he relentlessly conducted all over India. He tought Film Appreciation in the film Institute. By the time I joined the Institute in 1987, he had retired. But by then I had attended many of his film appreciation courses in Karnataka. His passion for cinema was very infectious. An entire generation of film makers and film buffs is indebted to him. To sir, with love... Satish Bahadur - a signature in film appreciation

Way back in the seventies, when we bought a piece of land and began to construct a house, I was promised that I would be able to set up a 22 yard cricket pitch in the empty space within the compound. Though friends and cousins were envious; we made elaborate plans about the matches that we were supposed to play. But soon, when five to six coconut trees occupied the empty space I was aghast! It was a promise broken and a loss of face with my friends. Today the trees have grown tall; two of them bend towards the neighboring compound. There were complaints that things falling from these trees broke tiles and woke people at night. When I came home, the neighboring lady first enquired about everyone's general health condition and then gently asked me to arrange for a person who could climb the two errant trees, tie metal wires around them, pull them to our side and tie them to another coconut tree. I was again reminded of the broken tiles; and was offered some leftover metal wires ...

On the plane that crashed yesterday in Mangalore were Mohammed Ziad, his wife and two of his kids. Ziad was coming to India to attend his mother's funeral. During my college days, he had a VHS camera that was gifted to him by his father who worked in the Middle East. The camera was a novelty at that time – at least in our small town. With it, a few of us got together and shot a video film called 'Happy Birthday' - an emotional murder mystery, whatever that meant. It was my first ever attempt at filmmaking. My cousin Ravi and neighbours Amjad and Prasad were the actors; and yours truly was the director, apart from playing the inspector who arrests the murderer in the climax. By the virtue of owning the proud camera, Ziad was my technical adviser. May his surviving kids, left behind in Dubai under the care of their uncle, find the strength to cope up with this tragedy.

Jayaprakash Devadiga, JP as we called him, was on the plane that crashed in Mangalore this morning. I had the opportunity to work with him in my film SUDDHA. We were immensely benefited by his ability to quietly get things done without anyone even noticing it. He also played a cameo in the film. May his family find the strength to cope up with this tragedy.

Good friend Gurpal Singh has something called ' Docus At My Home '. He calls a few friends to his house, feeds them with buttermilk, sweets, herbal tea, normal tea, biscuits and at times with good food; and then shows them a documentary film. The bonus is a discussion with the filmmaker. I saw 'Jahaji Music' at his house, yesterday - a 112 minutes film directed by Surabhi Sharma. It was the second screening of the film at his house. The film deals with the identity of a generation of Indians whose ancestors had migrated to the Caribbean islands taking along with them their own local music. The identity of these migrants is aptly depicted by the musical journey that they have been taking over the years. The natural artistic collaborations that they have been having with the music of their adopted land, forms a large part of this journey. The sequences in the film progressively deal with the harmonious merger of two musical cultures. In a sense, this structure of the film...

CR Jambe presently runs a theater school in Sanehalli, a remote village in Karnataka. He was also instrumental in running two of Karnataka's well known theater schools - Neenasam in Heggodu and Rangayana in Mysore. In my formative years, I was fortunate enough to have participated in one of the numerous theater workshops that he conducted all over Karnataka. Recemtly, at Jambe's behest, a screening of SUDDHA was held at Sanehalli. Friend IK Bolwar too was present at the screening. The screening aparently went off well. I am thrilled. If you are looking to arrange a screening for your club / college / house / office please click HERE

We once used to call NSD as the Nainitaal School of Drama - Nainitaal because we knew a lot of guys from NSD who originated from in and around that area. For my diploma film at the film institute I needed two actors and I was sure that it had to be NSD trained actors. I met Nirmal Panday two days before my film shoot – before that I had already cast him in the film. Nainitaal guys Rajiv Katiyaal and Sudarshan Juyal had suggested me his name. Nirmal was full of energy, had immence zest. He was excited about the script. I had a song to record and shoot in two days time, but had no music composer. Nirmal volunteered… and after some bottles of santra (local liquor) I was relieved! The lyrics whet something like this ‘Panduranga, Panduranga, Panduranga… Cosmos Mein Panduranga, Universal Panduranga…’ The tune he set was catchy enough to be sung by all and sundry at the film institute, at least for the next ten days. … nothing significant about this interaction. In fact, I haven’t even met hi...